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Conjunto Urbano Nonoalco Tlatelolco
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Conjunto Urbano Nonoalco Tlatelolco : ウィキペディア英語版
Conjunto Urbano Nonoalco Tlatelolco
The Conjunto Urbano Nonoalco Tlatelolco is the largest apartment complex in Mexico, and second largest in North America, after New York's Co-op City. The complex is located in the Cuauhtémoc borough of Mexico City. It was built in the 1960s by architect Mario Pani. Originally, the complex had 102 apartment buildings, with its own schools, hospitals, stores and more, to make it a city within a city. It was also created to be a kind of human habitat and includes artwork such as murals and green spaces such as the Santiago Tlatelolco Garden. Today, the complex is smaller than it was and in a state of deterioration, mostly due the effects and after effects of the 1985 Mexico City earthquake. This quake caused the immediate collapse of the Nuevo León building with others being demolished in the months afterwards. Further earthquakes in 1993 caused the condemnation of more buildings. In addition to the lost buildings, many residents eventually undersold or abandoned their apartments, as repairs were either never made or made poorly.
Today the complex consists of 90 apartment buildings, divided into three sections bordered by Avenida de los Insurgentes, Eje 1 Poniente Guerrero, Eje Central and Paseo de la Reforma. Originally, the complex was designed to house people from different economic social strata, but today almost all of low or very low income. Crime is a major problem as is the structural integrity of the remaining buildings.
==Construction==

The complex was ordered built by the administration of President Adolfo López Mateos, between 1960 and 1965, with financing and condominium administration provided by the Banco Nacional Hipotecario, Urbano y de Obras Publicas, S.A. The area has been an urban center since the pre-Hispanic period, when it began as an independent city state on an island in Lake Texcoco. By the time Spaniards arrived, the island had been incorporated into the Aztec Empire centered in the nearby island city of Tenochtitlan. Tlatelolco was famous for its large market, which continued to exist after the Spanish conquest. In the late 19th and early 20th century, the area was a train yard for the Ferrocarriles Nacionales de México. The modern apartment complex was built over the then-abandoned train yard. It surrounds the Plaza de las Tres Culturas, a place that symbolizes the synthesis of Mexico’s pre-Hispanic and colonial pasts with the modern day. This plaza contains the archeological site of Tlatelolco with its ceremonial center, the parish church of Santiago Tlatelolco and the modern buildings that surround them, including a building associated with the Secretaría de Relaciones Exteriores.〔 The project involved a total of 130 buildings over an area of ,〔 with schools, hospitals, markets, businesses, church and police stations. Its signature building was the Torre Insignia or ''Torre Banobras''. This was built in the form of a triangle or lance point (to resist temblors) 127 meters high with 24 floors. It was originally surrounded by gardens and had a large reflective pool.〔〔 This tower contains the Carrillon Clasico, one of the world’s few glockenspiels and the only one in Mexico City. It consists of 47 metallic bells, considered to be the optimal number for four octaves. They were cast in Belgium and weigh 26 tons. The main bells are dedicated to Hidalgo, Morelos, Cuauhtémoc, Madero and López Mateos . A sixth bell is dedicated to relations between Mexico and Belgium.〔〔
The complex was divided into three sections. Section one was created for family with limited resources. It aligns with the Torre de Baniobras. Section two was designed for the middle class with Section three, between Eje Central and Paseo de la Reforma, for the wealthy.〔 The complex’s main park, twice the size of the Alameda Central, was built in Romantic style.〔 This is known as the Santiago Tlatelolco Garden. Access is through a number of arched entryways, on gray and red stone paths which join in the center. Off the paths are maintained green areas. The garden was built as an integral part of the complex to provide green space.〔 Murals were commissioned for a number of the buildings. The first and most important is located on the Aguascalientes Building, near the Plaza de las Tres Culturas. It contains four panels, one on each side of the building, dealing with the history of Tlatelolco. This was painted by Nicandro Puente. This same artist also created other works here including Tlatelolco, raíz y expresión de México (1998), Homenaje a la mujer (1999) and 1985: Sismo y resurrección (2000) .〔
The project was awarded to architect Mario Pani (along with Ricardo de Robina) at a time when Mexico and Mexico City was experiencing rapid economic expansion.〔〔 Born in 1911, Mari Pani was a Mexican architect who mostly grew up in Europe and obtained his degree in architecture from the École des Beaux-Arts in Paris in 1934. After returning to Mexico, he became part of a movement to make Mexico, especially Mexico City, modern, post-Revolution and progressive. Pani’s work focused on major residential centers such as large apartment buildings and condominiums. Works like Nonoalco are classified as “supermanzanas” or “super (city) blocks.” His work changed the focus of urban housing from horizontal to vertical. His works are marked by being monumental, simple and recurring features. At their height, they were considered to be symbols of Mexican prosperity. Works prior to this included Hotel Reforma (1936), Hotel Plaza (1946), Conservatorio Nacional de Musica (1946), the Escuela Nacional de Maestros (1947),〔 as well the apartment complexes Multifamiliar Alemán (1950) and Multifamiliar Juárez. These were complexes for the working class, integrating parks, artwork (especially murals) and other features in order to create a “habitat.”〔〔
However, the Unidad Habitacional Nonoalco-Tlatelolco would become his best known work.〔 He created the area as a city within a city, to be autonomous with each block having all the services necessary for residents. The idea was to eliminate the need to leave the area, not even to work.〔 Pani integrated the principles of functionalism as it was conceived and practiced at the end of the 1950s.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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